The Runner, a new animated film and project series by Lauren Wy, foregrounds her second solo show at Western Exhibitions. Taking a cue from late 60’s and early 70’s films, especially Le Weekend by Jean-Luc Godard, the animation and its attendant drawings and paintings distill the spirit of fantasy escapism, of running away into a dream.

Wy’s animated film is a surrealist collage experiment utilizing analog processes with digital tools and altered frame rates to create a time-based pseudo-narrative drawing that embraces a raw provisionality. The short film is presented alongside a series of large-scale drawings and paintings on thin, mechanically flat synthetic surfaces. Inspired by American New Wave cinema and Science Fiction literature, Wy weaves her personal narrative into the collage as a further exploration of the Auto-theory elements present in her recent Autodesire series. The Runner animates saturated dancing color scenes of vintage cars speeding through dream landscapes. A woman character is an archetype, a titan, a goddess, a replicant, a Chimera, shapeshifting from human to animal to machine; from human skin to cheetah running, from feathered bird to Mercedes Benz; always pitched forward in the perpetual forward motion of running.